4 por 4 escuta essa dança

Color photo of 7 artists, five men and two women, looking up with hopeful faces. Above the photo, the title "4 por 4 escuta essa dança”.

Expansion of the dialogue between tap dancers and musicians

The presentation proposes the expansion of the dialogue between tap dancers and musicians in a research that adds languages and contributes to the formation of everyone. Based on renowned jazz themes, the so-called standards, the artists share relevant information about the history of this musical genre and the history of tap dancing, revealing to the public some strategies used to structure an improvisation session.
50min
Free for all ages
This show was awarded by Território SESI-SP for Art and Culture in 2016 and 2019.
Image with white background and logo of the show "4 by 4 - listen to this dance". At the top appear four rectangles focusing on the musicians
Color photo of Daniel, Rodrigo, Lucas, Renata, Alexandre, Alê and Ana. Everyone looks up, looking hopeful.
Color photo of Ana, Rodrigo and Renata jumping in the air. Behind them, Daniel sitting on the drums, Lucas holding the guitar, Alexandre with his hands positioned on the guitar and Alê with his hands on the bass.
Color photo of the seven artists smiling around the drum kit. The drummer, seated on the stool, holds a pair of tap shoes near the cymbal and drum box. There are shoes on the drum cymbals.
Color photo of the seven artists posing for us. In the center is Daniel sitting on the stool, holding his sticks over the drum kit. On Daniel
a

Credits

Creation
Cia. Pé na Tábua and BR Jazz Quartet
Musicians
Alê Brant (electric bass), Alexandre Gonçalves Peres (guitar), Lucas Oliveira (guitar) and Daniel Del Carpio (drums)
Tap dancers
Ana Luiza Yosetake, Renata Defina e Rodrigo Lima
Provocation
Karol Nurza
Sound Operation
Guilherme Carvalho
Lighting
Washington de Paula
Photography
Carol Cb Photography
Audiovisual Production
Apoema Audiovisual

We act in search of spreading tap dance as a non-elitist art.

Many years ago, this collective chose to remain in the interior and contribute to the decentralization of artistic productions.