Top view color photo of seven rectangular sepia photos of tap dancers Cora LaRedd, Florence Mills, Whitman Sisters, Nicolas Brothers, Jimmy Slyde, Jeni LeGon and Bill Bojangles Robinson, and a circular gray scale photo of tap dancer Gregory Hines . In the background, a wooden floor.

For an anti-racist tap dance!

As Brazilians, we understand that we are rewriting our history. We carry centuries of complex processes of colonization, miscegenation and narratives that have been partially told. We need courage to face the violence that constituted our country and even more courage to admit how flawed we were and still are. It is with humility and urgency that we, Cia. Pé na Tábua, believe that in the face of emerging social issues such as racism, we need to take an assertive stance, especially when it comes to something that crosses us directly.Cia. Pé na Tábua understands that the origin of the North American tap dance is of black authorship. It dates back to times when black people were enslaved and taken by force to another territory.
Cia. Pé na Tábua understands that tap dance is an american art form that originated with black people.
This statement needs to be made, because in several publications of books dealing with the history of tap dancing, especially the history of tap dancing in Brazil, few have analyzed the impact of racism on its consolidation. Sometimes it was said that tap dancing was a “union” between white and black people, making the historical processes involving racial discrimination superficial. Tap dancing in Brazil, close to other cultural events, is young. The first records of tap teachers around here date back to approximately 1940. IIt's not all about pain. It's also about rooting feet in the ground, striking bones, vibrating sounds, creating music.
If we move forward with the poetics of tap dancing, we also need to sensitize on so many layers that were once made invisible to walk towards a historic repair, which is the same path to a fairer and more honest future.Racism is not a problem for black people to solve. It's a problem for whiteness, like us. Therefore, we invite you to quiet your heart along with some indications that we must do. There are books, videos and other content that made us expand our ideas. We think it might be as important to you as it was to us.We continue in the struggle to sound more voices and feet, in a plural, diverse and fair way with the history of tap dancing.

Reading Suggestions

Book cover with the title in yellow “Yes, I can” occupying almost the entire cover. On the right, the caption “The Story of Sammy Davis Jr”. Below are the names of the authors: Sammy Davis Jr, Jane and Burt Boyar. And the logo of Editora Bloch.

Yes I Can. The story of Sammy Davis Jr

Sammy Davis Jr & Jane e Burt Boyar
In Sammy Davis Junior's autobiography, they highlight lesser-known aspects of a career built on success and suffering. One is the battle against segregationism. Another is his thrilling conversion to Judaism.
Where to find
Book cover with yellow background and black writings. “Djamila Ribeiro” and “Small Anti-racist Manual”. In the center, the small logo of Editora Companhia das Letras.

Pequeno Manual Antirracista

Djamila Ribeiro
In this small anti-racist manual, the author deals with themes such as racism in the workplace, blackness, whiteness, racial violence, culture, desires and affections. She argues that anti-racist action is urgent and takes place in everyday attitudes. It's everyone's fight.
Where to find
Book cover with a purple background and the writing in shades of yellow “Chimamanda Ngozi Adichie” and “The danger of a unique story”. Below is the Companhia das Letras logo.

O Perigo de Uma História Única

Chimamanda Ngozi Adichie
The Danger of a Single Story is based on the writer's first speech on TED Talk in 2009. “Stories were used to despoil and slander, but they can also be used to empower and humanize. They can shatter the dignity of a people, but they can also repair that shattered dignity.”
Where to find

Video Suggestions

Black poster with a picture of a man

Being Afro-descendant in the USA

IGTV @leonardoans
In this live, our Brazilian friends Leonardo Sandoval (Music from the Sole, Dorrance Dance) and Gisele Silva (Music from the Sole, Syncopated Ladies), talk about the whirlwind of emotions and challenges they have recently lived working as artists in the United States.
Watch
Black poster with a picture of a black woman holding a pair of tap shoes, winking and smiling, inside a circle. Below the circle, the name “Ana” in white and “GORI” in beige.

Tap Dance Women - Whitman Sisters

IGTV @anagori
In this series "Women of Tap Dance", produced by the dear tap dancer and researcher Ana Gori, it is possible to learn so much about the HISTORY of tap dancing and about the WOMEN of tap dancing. We highlight this live in particular, but we recommend all lives produced by Ana, about the history of tap dancing and the black female legacy. It's impossible not to be moved when recognizing the true origin of the "shim-sham" (choreography). Watch it and be thrilled! More than that, help us to tell the story fairly and honestly.
Watch

Dancing is also politicizing.

Do you have any suggestions for reading or video for us to include on this page?